Green Room Award Recipients 2010

Here is the full list of 2010 Green Room Award recipients, as presented last night at The Famous Spiegeltent at the Arts Centre.

Panel: Theatre – Alternative and Hybrid Performance
Outstanding Production: Pin Drop – Tamara Saulwick
Composition & Sound Design: Jethro Woodward – Irony is not Enough (Fragment 31)
Production Design: Claire Britton, Matt Priest, Danny Egger – Conceptual Design – Hole in the Wall (Matt Priest & Claire Britton / Next Wave Festival)
Video Design: Fleur Elise Nobel – 2 Dimensional Life of Her
Mise-en-Scene: The Bougainville Photoplay Project – Paul Dwyer
Site-Specific Production: Southern Crossings – One Step at a Time Like This

Panel: Cabaret
Best Production: Yana Alana and tha Paranas in Concert – Gasworks & Arts Victoria in association with Melbourne Workers Theatre and Yana Alana and tha Paranas
Artiste: Yana Alana – Yana Alana and tha Paranas in Concert
Ensemble: Yana Alana and the Paranas – Yana Alana and tha Paranas in Concert
Original Songs: Yana Alana and tha Paranas – Yana Alana and tha Paranas in Concert
Director: Anni Davey – Yana Alana and the Paranas in Concert
Musical Direction: Sarah Ward, Bec Matthews & Ania Reynolds – Yana Alana and tha Paranas in Concert
Innovative Use of Form: Emily Taylor – Hello You
Contribution to Cabaret: Kaye Sera

Panel: Dance
Music/Sound Composition and Performance: Ezio Bosso & George Gorga – We Unfold (Sydney Dance Company)
Design: Jacob Nash – Set – Artefact (Bangarra Dance Theatre)
Male Dancer: Tim Ohl – Mix Tape (Chunky Move)
Female Dancer: Emily Amisano – We Unfold (Sydney Dance Company)
Ensemble: Bangarra Dance Theatre – Of Earth and Sky
Concept & Realisation: Private Dances (Next Wave Festival & Natalie Cursio)
Betty Pounder Award for Choreography: TIE: Frances Rings – Artefact (Bangarra Dance Theatre) AND Stephanie Lake – Mix Tape (Chunky Move)

Panel: Theatre – Independent
Male Performer: Thomas Conroy (Henry) – Something Natural But Very Childish (Dirty Pretty Theatre / La Mama)
Female Performer: Justine Campbell (Jane Franklin) – The Fate of Franklin and his Gallant Crew (Four Larks Theatre)
Ensemble: Us (Grit Theatre / The Function Room)
Design: Sebastian Peters-Lazaro & Ellen Strasser – Set & Properties Design – Body of work (Four Larks Theatre)
Lighting Design: Bluebottle – Ben Cobham with Jenny Hector – Lighting Design & Realisation – Madeleine (Jenny Kemp & Black Sequin Productions / Arts House)
Sound / Composition: Mat Diafos Sweeney (Four Larks Theatre) – Music/Sound/Composition – Body of work
Direction: Gary Abrahams – Body of work
Production: Us (Grit Theatre / The Function Room)

Panel: Music Theatre
Direction: Richard Eyre & Matthew Bourne – Mary Poppins (Disney / Cameron Mackintosh)
Costume and/or Set Design: Bob Crowley – Set & Costumes – Mary Poppins (Disney / Cameron Mackintosh)
Lightning Design: Trudy Dalgleish – Hairspray (Dainty Consolidated Entertainment / Roadshow Live)
Sound: Peter Grubb – Mary Poppins (Disney / Cameron Mackintosh)
Choreography: Matthew Bourne & Stephen Mear – Mary Poppins (Disney / Cameron Mackintosh)
Musical Direction: Michael Tyack – Mary Poppins (Disney / Cameron Mackintosh)
Female Artist – Leading Role: Verity Hunt-Ballard – Mary Poppins (Disney / Cameron Mackintosh)
Male Artist – Leading Role: Geoffrey Rush – The Drowsy Chaperone (Melbourne Theatre Company)
Male Artist – Featured Role: Philip Quast – Mary Poppins (Disney / Cameron Mackintosh)
Female Artist – Featured Role: Esther Hannaford – Hairspray (Dainty Consolidated Entertainment / Roadshow Live)
Featured Ensemble or Full Ensemble Performance: Mary Poppins (Disney / Cameron Mackintosh)
Best Production: Mary Poppins (Disney / Cameron Mackintosh)

Panel: Opera
Production: La Sonnambula – Opera Australia
Design: Adam Gardir (set) and Harriet Oxley (costume) – Angelique (Victorian Opera)
Female Lead: Emma Matthews (Amina) – La Sonnambula (Opera Australia)
Male Lead: Peter Coleman-Wright (Harry Joy) – Bliss (Opera Australia)
Female Support: Catherine Carby (Orovsky) – Fledermaus and (Hippolyta) – Midsummer Night’s Dream (Opera Australia)
Male Support: Conal Coad (Bottom/Pyramus) – A Midsummer Night’s Dream (Opera Australia)
Conductor: Paul Kildea – The Turn of the Screw (Victorian Opera) and A Midsummer Night’s Dream (Opera Australia)
Director: Julie Edwardson – La Sonnambula (Opera Australia)
Lighting: Nigel Levings – Bliss (Opera Australia)

Panel: Theatre - Companies
Lighting Design: Rachel Burke – Moth (Malthouse Theatre / Arena Theatre Company)
Set/Costume Design: Shaun Gurton (set) – Richard III (Melbourne Theatre Company)
Sound / Composition: Jethro Woodward (composer) – Moth (Malthouse Theatre / Arena Theatre Company)
Female Actor: Alison Whyte (Queen Elizabeth) – Richard III (Melbourne Theatre Company)
Male Actor: Ewen Leslie (Richard) – Richard III (Melbourne Theatre Company)
Direction: Simon Phillips – Richard III (Melbourne Theatre Company)
Production: Thyestes – Malthouse Theatre / Hayloft Project
Ensemble: Thyestes – Malthouse Theatre / Hayloft Project

Association Awards
Lifetime Achievement Award: Carrillo Gantner AO
Technical Achievement Award: David Miller, Production Manager, Malthouse Theatre
Award for Outstanding Contribution to Melbourne Theatre: Lisle Jones
Best New Original Writing for the Melbourne Stage: Declan Greene – Moth (Malthouse Theatre / Arena Theatre Company)
Best Adaptation for the Melbourne Stage: Simon Stone, Thomas Henning, Chris Ryan & Mark Winter – Thyestes after Seneca (Malthouse Theatre / The Hayloft Project)